Face mask of the "mblo" - group · Côte d'Ivoire, Baoulé · ID: 3034249
Alfons Bermel, Berlin, Germany
Vera und Wolfgang Nerlich, Munich, Germany
Description
light-weighted wood, remains of matt blackish brown patina, the coiffure arranged in three concentrical half circles in flat relief, completed by flat bow-shaped braids on both sides, the actual facial plane concentrated on a rather small area in the lower third, summarised by a fine toothed rim, the regular facial features with lowered lids achieving an even self-contained expression, the surface structure marked by abrasion of paint and insect caused damage, cracks (partly spread with mass), minor missing parts (mouth, eyes, right ear), beard under chin lost, traces of insect caused damage backside, base;
masks like the present represent recognized, named individuals. The men and women portrayed in masks are known for their great skill as dancers, for their exceptional beauty, or because they are important political figures. They represent an ideal in Baule culture typified by this mask. Physical beauty for the Baule and many Africans is almost always equated with the embellishment and natural endowments. The downcast eyes and closed lips imply respect and composure, two moral qualities that the Baule esteem greatly.
Littérature comparée
Vogel, Susan Mullin, Baule, African Art - Western Eyes, New York 1997, p. 289