Emblème d'épée: poisson de vase, 1ère moitié du 19e siècle · Ghana, Akan / Ashanti · ID: 3045191
Roland Hartmann, St. Gallen, Switzerland
Description
bronze, gold alloy ca. 0,010 (ca. 2,5 carat), weight: 300 g,
Akan gold production likely began in the second half of the fifteenth century. Gold circulated in powdered form (“sika futuro”) as the currency of the Asante Empire until it was abolished at the end of the 19th century after the seventh Ashanti war.
Masterful jewellery ornaments were made in the royal courts of the Ashanti from melted gold dust in highly developed manufacturing processes (especially in the wax-melting process).
The gold objects (pendants, rings, soul-washer pectorals and staffs) were made exclusively by members of the Royal Goldsmiths Guild. Legend has it that the goldsmiths (“sikadwinfo”) learned their skills from Fusu Kwabi, an important ancestor and founder of the Ashanti, who descended from heaven to teach his descendants the art of gold processing.
Gold not only served as a sign of social status and wealth, but also had a spiritual meaning. The shiny metal was thought to be the earthly embodiment of the sun, and thus the embodiment of the life force (“kra”) itself.
The diverse motifs of gold jewellery reflect the rich imagery of the Akan. They always point to persons, animals or objects that are allegorically praiseworthy or meaningful.
To this day, a respected public speaker is expected to use a proverb (“ebe” - “mmebusem”) that suits the occasion.
L’objet Emblème d’épée: poisson de vase, 1ère moitié du 19e siècle avec l’ID d’objet 3045191 a fait partie de la vente aux enchères 91e vente aux enchères Tribal Art dans 9 mars 2019. L’objet portant le numéro de lot 190 a atteint un prix de vente de 260 € pour un prix d’adjudication de 250 €.
Vous trouverez ici d’autres objets et des informations utiles sur le thème Art africain.
Expertise
Nr. 286, Eidgenössisches Kontrollamt für Edelmetalle, Zurich (without date)
Littérature comparée
Menzel, Brigitte, Goldgewichte aus Ghana, Berlin 1968, p. 42