Zemanek-Münster

Statue for male aggression "iphri"

Nigeria, Urhobo
not available anymore
Provenance
Simon du Chastel, Brussels, Belgium
Size
H: 71 cm
H: 28.0 inch

Description

heavy wood, light brown patina, kaolin, small remains of black paint and indigo blue pigment, phantastic being with a wide open teeth-revealing mouth, crowned by a male half figure and two accompanying figures, nails, metal clip, missing parts through insect caused damage (above all at the base), cracks (beast head), strong abrasion of paint;
“iphri” imagery represents a powerful visual statement of all aspects of male aggression. The “iphri” embodies both positive and negative values, both defensive and offensive aggression. It allows an overly contentious individual to contain his ill will and empowers the warrior to defend his home. Each “iphri” was originally owned by a single individual, usually a prominent warrior and was kept in his house. After his death it stayed there for many generations, being maintained by his sons and grandsons. As the family grew larger, the image was transferred to the collective meeting hall of the lineage. The “iphri” must be fed. Offerings are presented to its open mouth. This feeding must be done every four days. If one fails to perform regular feeding, it is said that the “iphri” “gets hungry” and may become troublesome.


Comparing literature

Foss, Perkins (ed.), Where Gods and Mortals Meet, New York 2004, p. 59 ff.

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