Zemanek-Münster

Fragment of a half figure "iran otibago"

Guinea-Bissau, Bidjogo
sold EUR 1,400
Provenance
Jean-Michel Huguenin, Paris, France (1974)
Eduard Hess, Oberwil, Switzerland
Size
H: 30 cm
H: 11.8 inch

Description

wood, brown patina, remains of pigments, arm- and legless body with indicated breast, dam., missing parts through insect caused damage (base), cracks, base;
such massive sculptures with the look of busts resting on a base, serve as receptacles for the souls of the ancestors. They encorporate spiritual beings, called “iran”. The highest spiritual being is the Big Spirit, called “iran grande”. The “iran” have various forms and bare various names according to their destination and geographic surroundings. The human “iran” were depicted in a seated posture, they were called “iran otibago”. “Iran” in creole means “object, loaded with sacred energy”, “otibago” means as much as “civilized”. The “iran otibago” are connected with terms like fertility, farming, nutrition and abundance.


Comparing literature

Kerchache, Jacques & Jean-Louis Paudrat u.a., Die Kunst des Schwarzen Afrika, Freiburg, Basel, Wien 1988, p. 527 f.

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