Zemanek-Münster

Face mask of the "mblo"-group

Côte d'Ivoire, Baule
not available anymore
Provenance
Emil Storrer, Zurich, Switzerland (1970s)
Size
H: 21,5 cm
H: 8.5 inch

Description

wood, rich reddish brown patina, dark brown paint, massive form, calm expression on the face, crowned by a diadem-shaped coiffure, cross-shaped incisions and band tattoos in bas-relief, old collection number “No 39 Baule” backside, slightly dam., scratch mark (left cheek);
Baule masks fall into two broad categories, which correspond to the Baule division of the world into two realms: the village and untamed nature. The village masks, like the present one, are basically entertainment masks, appearing at celebrations and also at the funerals of important people, ecpecially famous dancers. They most often represent beautiful women, though male masks exist as well. Sometimes they are portraits of particular individuals, who are honoured during their lifetimes. These masks are part of the human world. People are comfortable in their presence, and their appearance creates an atmosphere of joy and celebration.


Comparing literature

Fagaly, William, Ancestors of Congo Square, New Orleans 2011, p. 121

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